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I have always been interested in the power to shift the relationship between what exists and what does not. By painting images on pieces of portable clear plastic, I am then able to photograph them on location. It is here that unexpected dialogues can occur between figures from my imagination and the outside world. This separation of figure and ground also allows the sylphs—these ephemeral beings—to travel in different parts of my practice:

in paintings, in videos, in installations, and in collaborations.

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